A hand, a situationist fact, a drift that presents itself as a technique of uninterrupted passage through various environments, a playful-constructive piece that opposes in every way the classic notions of cinema and travel.
A hand, a situationist fact, a drift that presents itself as a technique of uninterrupted passage through various environments, a playful-constructive piece that opposes in every way the classic notions of cinema and travel.
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