More than anything, I want to rise into the air with you and share an arena – this could describe the choreography of Latvian dancers Artūrs Nīgalis and Mārīte Supe, where nearly two lifetimes are danced out. In the Riga Circus building, opened in 1888 and now reconstructed, endless longing, tears, emotionally charged equilibristics, truth, and duality revolve. Have our relationships also reached a circus-like amplitude? Estonian director Pulk seems to have found the answer to that.
0.0/10More than anything, I want to rise into the air with you and share an arena – this could describe the choreography of Latvian dancers Artūrs Nīgalis and Mārīte Supe, where nearly two lifetimes are danced out. In the Riga Circus building, opened in 1888 and now reconstructed, endless longing, tears, emotionally charged equilibristics, truth, and duality revolve. Have our relationships also reached a circus-like amplitude? Estonian director Pulk seems to have found the answer to that.
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