Completed during the residency, Russell Morton‘s latest short film revolves around the eclectic and versatile figure of Mohammad Din Mohammad (1955 – 2007). Artist and mystic, traditional healer and idiosyncratic collector of Southeast Asian cultural items, Mohammad Din Mohammad was also an actor and a silat master. Playfully disclosing the production limitations imposed by the pandemic, the film evokes Mohammad’s multifaceted personality through the faces, voices, and memories of the artist’s family members and an experimental process where affects and sounds are mediated by technology. As it unfolds, the film grows into an upbeat stream of visuals and sounds mixed by Momok, a computer algorithm created by artist bani haykal.
0.0/10Completed during the residency, Russell Morton‘s latest short film revolves around the eclectic and versatile figure of Mohammad Din Mohammad (1955 – 2007). Artist and mystic, traditional healer and idiosyncratic collector of Southeast Asian cultural items, Mohammad Din Mohammad was also an actor and a silat master. Playfully disclosing the production limitations imposed by the pandemic, the film evokes Mohammad’s multifaceted personality through the faces, voices, and memories of the artist’s family members and an experimental process where affects and sounds are mediated by technology. As it unfolds, the film grows into an upbeat stream of visuals and sounds mixed by Momok, a computer algorithm created by artist bani haykal.
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