The keyframes — reference frames that define the starting and ending points of smooth transitions — from a digital version of John Ford's 1956 Western "The Searchers" have been removed, resulting in a fluid movement, "unanchored from the original photographic print," per provided information. Horseback riders slide along the landscape, trailing pixilated fragments of themselves, as if leaving traces of their presence on the scene. A man turns his head and his lips run along his face as if smeared with make-up, blocky clouds slide across the sky, and splashy cubes are kicked up when the riders cross a river.
0.0/10The keyframes — reference frames that define the starting and ending points of smooth transitions — from a digital version of John Ford's 1956 Western "The Searchers" have been removed, resulting in a fluid movement, "unanchored from the original photographic print," per provided information. Horseback riders slide along the landscape, trailing pixilated fragments of themselves, as if leaving traces of their presence on the scene. A man turns his head and his lips run along his face as if smeared with make-up, blocky clouds slide across the sky, and splashy cubes are kicked up when the riders cross a river.
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