[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
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5.7/10
The Return of the King
Trail of the Pink Panther
The Return of the Pink Panther
Return of the Seven
Return of the Living Dead Part II
Return to Halloweentown
Return of the Fly
Trancers II: The Return of Jack Deth
Return to the 36th Chamber
Return to Rajapur
Lupin the Third: Operation: Return the Treasure
A Nightmare
Boat Leaving the Port
1920: Evil Returns
Bains en mer
Jérusalem : porte de Jaffa, côté Est
In Single File on Glaciers With Snowshoes, l. Montée
Return to Horror Hotel
The Return
Gulliver Returns[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
At the moment we don’t know of any streaming service where you can watch Bocal aux poissons rouges
