Landscapes from Murnau’s Nosferatu: A Symphony of Horror (1922) are accompanied by reflections on the ghosts of political struggles of the past, vision as an instrument of colonisation and the true meaning of the decolonising gaze that upends all order.
0.0/10Landscapes from Murnau’s Nosferatu: A Symphony of Horror (1922) are accompanied by reflections on the ghosts of political struggles of the past, vision as an instrument of colonisation and the true meaning of the decolonising gaze that upends all order.
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