“It all begins with how you feel on a bridge… You see how other people are busy and how you experience it yourself and so it becomes something about people.” The artist Marian Plug speaks to filmmakers Stansfield/Hooykaas while composing her large and intricate silkscreen “The Bridge.” After filming the many different types of bridges around Amsterdam, they interview workers who clean, paint and repair the bridges. Anchored by a buoyant electronic soundtrack by British composer Delia Derbyshire (known for her groundbreaking work with the BBC Radiophonic Workshop), the filmmakers brought Derbyshire to Amsterdam for the shoot, so that they might create ideas together and so that she could experience the rhythms of the city. The film explores different ideas of work, connection and positioning: a bridge means something different to a builder, an architect or someone walking over it.
0.0/10“It all begins with how you feel on a bridge… You see how other people are busy and how you experience it yourself and so it becomes something about people.” The artist Marian Plug speaks to filmmakers Stansfield/Hooykaas while composing her large and intricate silkscreen “The Bridge.” After filming the many different types of bridges around Amsterdam, they interview workers who clean, paint and repair the bridges. Anchored by a buoyant electronic soundtrack by British composer Delia Derbyshire (known for her groundbreaking work with the BBC Radiophonic Workshop), the filmmakers brought Derbyshire to Amsterdam for the shoot, so that they might create ideas together and so that she could experience the rhythms of the city. The film explores different ideas of work, connection and positioning: a bridge means something different to a builder, an architect or someone walking over it.
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