The State Electrotechnical Factory's cultural palace, or vefiņš, was opened on March 1, 1960, and was allocated for the factory's needs. However, today science has been banished from these walls. Alongside the brightest local pop artists, countless feet and legs dressed in pastels tread the boards of this stage every year to determine which group will take center stage at the Daugava Stadium during the Song and Dance Festival. Meanwhile, the young, promising and provocative documentary filmmaker Ingmārs Somis has come here to make a film about the "other side" of folk dancing on stage - about nationalistic programming, worn-out feet, sunburn and blouses tucked into underpants. He has decided to expose the teachers, lecture the parents, liberate the dancers, destroy the VEF cultural palace, get hold of the Great Kristaps and enter the Latvian cultural canon.
0.0/10The State Electrotechnical Factory's cultural palace, or vefiņš, was opened on March 1, 1960, and was allocated for the factory's needs. However, today science has been banished from these walls. Alongside the brightest local pop artists, countless feet and legs dressed in pastels tread the boards of this stage every year to determine which group will take center stage at the Daugava Stadium during the Song and Dance Festival. Meanwhile, the young, promising and provocative documentary filmmaker Ingmārs Somis has come here to make a film about the "other side" of folk dancing on stage - about nationalistic programming, worn-out feet, sunburn and blouses tucked into underpants. He has decided to expose the teachers, lecture the parents, liberate the dancers, destroy the VEF cultural palace, get hold of the Great Kristaps and enter the Latvian cultural canon.
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