The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...
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Na Linha Da Morte
Halloweentown 2: A Vingança de Kalabar
Natal Shrektacular do Burro
Megamente: O Botão da Destruição
Return to Rajapur
Slayers Return
Assustando Shrek
Return to Homs
SlugTerra: Return of the Elementals
A Guarda do Leão: Um Novo Rugido
Fukrey Returns
L’Age de Bronze
F.O.T.O.G.R.A.F.
Como Matar a Besta
O Caminho para o CoraçãoThe short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...
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