Samy Szlingerbaum made his film Dakh-Brisel (Brussels-Transit) in 1980, thirty years after any Yiddish feature film had been produced. Szlingerbaum felt that the only way he could relate the story of his family’s search for refuge after World War II was in Yiddish. This Belgian-based filmmaker, deeply impacted by New York experimental cinema, gives us a masterful blend of powerful drama and stark documentary to tell the story of postwar European Jewry. Home, as it had been, no longer exists, and all that Samy’s family wants is a place in which to sink new roots.
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7.7/10
Eu Ainda Sei o Que Vocês Fizeram no Verão Passado
Melinda e Melinda
O Homem que Eu Escolhi
Dias de Outono
O Castelo Assombrado
O Conde Drácula
Guerra e Humanidade II: Estrada Para a Eternidade
Está Sobrando uma Mulher
A Revanche do Monstro
The Curse of the Crying Woman
Rogue River
Tel chi el telùn
We Maintain It Is Possible
Friends Jokes
FlowSamy Szlingerbaum made his film Dakh-Brisel (Brussels-Transit) in 1980, thirty years after any Yiddish feature film had been produced. Szlingerbaum felt that the only way he could relate the story of his family’s search for refuge after World War II was in Yiddish. This Belgian-based filmmaker, deeply impacted by New York experimental cinema, gives us a masterful blend of powerful drama and stark documentary to tell the story of postwar European Jewry. Home, as it had been, no longer exists, and all that Samy’s family wants is a place in which to sink new roots.
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