At once minimal and maximal, the latest experiment from Austrian formalist Björn Kämmerer recasts elements as simple as a campfire and three seated men into a paranoid play of gazes, variously suggesting assent and discordance.
0.0/10At once minimal and maximal, the latest experiment from Austrian formalist Björn Kämmerer recasts elements as simple as a campfire and three seated men into a paranoid play of gazes, variously suggesting assent and discordance.
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