Loosely inspired by Stefan Zweig’s novella, in which playing chess is depicted as a means of surviving fascism, The Avalanche recounts the events of the Armenian genocide, still contested by the Turkish state. Pinar Öğrenci uses archives and present-day footage of the region to uncover the traumas left by the Armenian people on their landscape and their memories.
Loosely inspired by Stefan Zweig’s novella, in which playing chess is depicted as a means of surviving fascism, The Avalanche recounts the events of the Armenian genocide, still contested by the Turkish state. Pinar Öğrenci uses archives and present-day footage of the region to uncover the traumas left by the Armenian people on their landscape and their memories.
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