“In the context of an ‘Imageless Films’ series, it’s significant that ‘mercury’ is radio as cinema, ~ a looped excerpt from Orson Welles’s Mercury Theatre radio play of DRACULA, a performance of sound creating sight, but especially, the utterances and hallucinated descriptions of Mina (from Bram Stoker’s novel) in a trance, picturing what she visualizes in a hypnotized state: the narcoleptic sibilances of a somnambulistic cinema, manifesting what is not present to others ~ & the experience ends (for the live audience) with a shock of mirrored reflection ~ something real in the room!” – Bradley Eros
0.0/10“In the context of an ‘Imageless Films’ series, it’s significant that ‘mercury’ is radio as cinema, ~ a looped excerpt from Orson Welles’s Mercury Theatre radio play of DRACULA, a performance of sound creating sight, but especially, the utterances and hallucinated descriptions of Mina (from Bram Stoker’s novel) in a trance, picturing what she visualizes in a hypnotized state: the narcoleptic sibilances of a somnambulistic cinema, manifesting what is not present to others ~ & the experience ends (for the live audience) with a shock of mirrored reflection ~ something real in the room!” – Bradley Eros
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