In the mid-1960s, Pilař recorded a short sketch with the family of the writer and lyricist Václav Fischer in the Baroque complex Skalka near the town of Mníšek pod Brdy. He added an overpainting to the film, respecting the actions of the protagonists so that the characters would react to the coloured flying objects. Pilař made the untitled material into a video screener called A Film Sketch 1965 (ca. 1984), and later edited it with video effects under the title Painting into the Air (ca. 1991).
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Pain in the HoleIn the mid-1960s, Pilař recorded a short sketch with the family of the writer and lyricist Václav Fischer in the Baroque complex Skalka near the town of Mníšek pod Brdy. He added an overpainting to the film, respecting the actions of the protagonists so that the characters would react to the coloured flying objects. Pilař made the untitled material into a video screener called A Film Sketch 1965 (ca. 1984), and later edited it with video effects under the title Painting into the Air (ca. 1991).
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