Two 16mm films are projected in a loop on a thin painted aluminum screen hanging in the middle of a room. We can hear the projectors at each end of the room, which project images on the central screen. We can see the same scene on each side of the screen: a woman, seen from the front and front back depending on the side of the screen, painting it with spray paint. A man then tears up the screen and goes through it, followed by the woman. We can see Michael Snow sitting further away, giving instructions to the woman. We can also see the cameras filming the scene from each side. Visitors in the room can walk around the screen and thus watch the scene from one angle or another. Both films are projected in synchronicity on the two sides of the screen.
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Um Estranho no Ninho
Um Beijo Roubado
Rent, os Boêmios: Ao Vivo na Broadway
Pai e Filha
Sangue de Pantera
Luz de Inverno
Todos os Outros
Do Mundo Nada Se Leva
Diário de uma Camareira
Fantozzi The Return
Day of the Fight
Cidadão Klein
Re-Cut
Fight!! Spirit of the Sword
Minha Mãe
Strange Object
Maigret e a Jovem Morta
Grand Expectations
Os Três Males
A Mesa de CaféTwo 16mm films are projected in a loop on a thin painted aluminum screen hanging in the middle of a room. We can hear the projectors at each end of the room, which project images on the central screen. We can see the same scene on each side of the screen: a woman, seen from the front and front back depending on the side of the screen, painting it with spray paint. A man then tears up the screen and goes through it, followed by the woman. We can see Michael Snow sitting further away, giving instructions to the woman. We can also see the cameras filming the scene from each side. Visitors in the room can walk around the screen and thus watch the scene from one angle or another. Both films are projected in synchronicity on the two sides of the screen.
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