Premiered in the framework of Bafici, Seized Files: Film School is the second collective feature sponsored by the Museum of the Cinema of Buenos Aires, this time with propaganda series produced during the fifties, aimed at a young audience also protagonist of them. The more re-concentrated nature of materials, less heterogeneous than events intervened "first project use old newsreel "Sucesos Argentinos"", makes that the movie has a more cohesive character on the back and return of the same images, flowed through various searches of each Director, creating different looks and uses. In this case, the director wanted to out his 'intervention' in all senses of the word, just like Prividera's previous feature films. In fact, in these few minutes is both using the file how in the beginning of Fatherland (2011), and the intertitles deployed on M (2007), in base a quote it reconsiders those old images and words looking for its resonance in our present.
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Perseguição 2: O Resgate
Detective Conan: The Fourteenth Target
Detective Conan: Magician of the Silver Sky
Passaporte para Paris
Renascido das Trevas
Reanimado
A Filha do Rei
Vingadores: Ultimato
O Acampamento
Theeran Adhigaaram Ondru
Tropas Estelares: Invasores de Marte
Re-Elected
Pai a Gente Só Tem Um 2: Uma Sogra no Ninho
Pushpa: The Rise
A Princesa e a Plebeia: As Vilãs Também Amam
Refém Rebelde
Sayen: A Rota Seca
Crush: Amor Colorido
Kill Shot
O Caçador de RatosPremiered in the framework of Bafici, Seized Files: Film School is the second collective feature sponsored by the Museum of the Cinema of Buenos Aires, this time with propaganda series produced during the fifties, aimed at a young audience also protagonist of them. The more re-concentrated nature of materials, less heterogeneous than events intervened "first project use old newsreel "Sucesos Argentinos"", makes that the movie has a more cohesive character on the back and return of the same images, flowed through various searches of each Director, creating different looks and uses. In this case, the director wanted to out his 'intervention' in all senses of the word, just like Prividera's previous feature films. In fact, in these few minutes is both using the file how in the beginning of Fatherland (2011), and the intertitles deployed on M (2007), in base a quote it reconsiders those old images and words looking for its resonance in our present.
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