If "light" is the protagonist of film, the idea would not change if "darkness" replaces "light". Yoshimoto proves this point with most simplicity. Placing a tiny point of ray in pitch black, his darkness achieves a limitless depth. This style goes under trial from around 1988 – a squirming object in drowning darkness goes through a transition from a solid machinery part to a soft Japanese architectural fixture to a misty female figure. Each of the objects, a subject of fancy, is placed in good balance, mingling with Rei Harakami's sound effects. This is one of Yoshimoto's most intense works.
0.0/10If "light" is the protagonist of film, the idea would not change if "darkness" replaces "light". Yoshimoto proves this point with most simplicity. Placing a tiny point of ray in pitch black, his darkness achieves a limitless depth. This style goes under trial from around 1988 – a squirming object in drowning darkness goes through a transition from a solid machinery part to a soft Japanese architectural fixture to a misty female figure. Each of the objects, a subject of fancy, is placed in good balance, mingling with Rei Harakami's sound effects. This is one of Yoshimoto's most intense works.
No momento, não sabemos de nenhum serviço de streaming onde você possa assistir fan
Acompanhe suas séries, receba notificações de novos episódios e descubra tendências onde estiver.
