Except for a few brief evocations of Debord’s “art” during the first ten minutes or so, most of this “antitelevisual” video consists of television clips illustrating the extreme degradation and delirium of the present society. It’s a powerful denunciation, but not so deft and subtle as Debord’s films, perhaps because it was made during the worsening stages of his final illness. Presumably intended as a parting shot at the society he detested, it was completed shortly before his death in November 1994 and shown January 9, 1995, on a French cable channel along with La Société du Spectacle and Réfutation de tous les jugements (whence the video copies that have since circulated).
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6.1/10
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De Volta à Lagoa Azul
A Volta do Monstro do Pântano
Aposta Maldita
Caminho Sem Volta
Na Linha Da Morte
Dragon Ball Z: O Retorno de Cooler
A Volta de Frank James
Urotsukidōji III: Return of the Overfiend
Return to Rajapur
The Return
Return to... Return to Nuke 'Em High aka Vol. 2
Return to Innocence
Bonanza: O Retorno
The Return
Retorno ao Hotel Terror
Não Volte Para Casa!Except for a few brief evocations of Debord’s “art” during the first ten minutes or so, most of this “antitelevisual” video consists of television clips illustrating the extreme degradation and delirium of the present society. It’s a powerful denunciation, but not so deft and subtle as Debord’s films, perhaps because it was made during the worsening stages of his final illness. Presumably intended as a parting shot at the society he detested, it was completed shortly before his death in November 1994 and shown January 9, 1995, on a French cable channel along with La Société du Spectacle and Réfutation de tous les jugements (whence the video copies that have since circulated).
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