James Edmonds’s intricately constructed 16mm montage film brings two disparate settings—Berlin and a village in the South of England—into the same cinematic headspace. Locating likenesses between soft light and overcast coasts, the comfort of sun-dappled interiors and the warmth of a tree-lined field, Edmonds both summons natural juxtapositions and creates unexpected harmony through deft superimpositions.
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Com Amor, AnônimaJames Edmonds’s intricately constructed 16mm montage film brings two disparate settings—Berlin and a village in the South of England—into the same cinematic headspace. Locating likenesses between soft light and overcast coasts, the comfort of sun-dappled interiors and the warmth of a tree-lined field, Edmonds both summons natural juxtapositions and creates unexpected harmony through deft superimpositions.
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