Serge Daney was successively critic and editor of Cahiers du Cinéma in the 60s and 70s, then critic at Libération before founding Trafic a few months before his death. Through the dialogue established between some filmmakers of today and the thought of Serge Daney on the most diverse subjects, the film is the reconstitution of the look of a moviegoer on the world and the confrontation with our time.
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Dias PerfeitosSerge Daney was successively critic and editor of Cahiers du Cinéma in the 60s and 70s, then critic at Libération before founding Trafic a few months before his death. Through the dialogue established between some filmmakers of today and the thought of Serge Daney on the most diverse subjects, the film is the reconstitution of the look of a moviegoer on the world and the confrontation with our time.
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