ZAMA (2017, Lucrecia Martel) didn’t come alone. It brought with her a shooting journal written by Selva Almada –El mono en el remolino– and this documentary by Manuel Abramovich, who, as a sound intruder, captured the meticulous work of the director from Salta and the warm, human, joyful precision.
0.0/10
6.1/10
Maine Pyar Kiya
Recep Ivedik 2
Boa vs. Python: As Predadoras
Maine-Ocean Express
Nullarbor
Todo es posible en Granada
Captain Nulle
East of Main Street: Asians Aloud
Peter PanUltimate Driving Craft 3 - Eyes on main beam
BTS: Bring The Soul - O Filme
Next Exit, Main Street
Nulliparous Women
GCW: Fight Club Houston
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NO STEPZAMA (2017, Lucrecia Martel) didn’t come alone. It brought with her a shooting journal written by Selva Almada –El mono en el remolino– and this documentary by Manuel Abramovich, who, as a sound intruder, captured the meticulous work of the director from Salta and the warm, human, joyful precision.
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