In Michaela Grill´s work, the opulence of these images is diametrically opposed to a minimalistic reduction to an element of urban architecture. The disintegration of the initial material (the windowed façade of a building), which resembles a chemical process, produces the colors violet, light blue and white and dissects the urban vocabulary of forms. The dispersion of the big city´s lights carries over to the structure of time and space and ceases to conjure up an external danger. Instead, the viewer is confronted with sound and images which decompose the personal criteria employed in sensory perception.
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Batman: O Cavaleiro das Trevas
Batman: O Retorno
A Hora do Pesadelo 2: A Vingança de Freddy
Halloween III: A Noite das Bruxas
Halloween 6: A Última Vingança
Halloween 4: O Retorno de Michael Myers
Halloween 5: A Vingança de Michael Myers
Halloween: Ressurreição
Tomie Re-Birth
O Filho do Batman
Zumbilândia: Atire Duas Vezes
Alienoid: Return to the Future
A Chamada
Furiosa: Uma Saga Mad Max
Pisque Duas Vezes
Beekeeper: Rede de Vingança
Entrevista com o Demônio
Divertida Mente 2
O Aprendiz
Mais Um Tiro CertoIn Michaela Grill´s work, the opulence of these images is diametrically opposed to a minimalistic reduction to an element of urban architecture. The disintegration of the initial material (the windowed façade of a building), which resembles a chemical process, produces the colors violet, light blue and white and dissects the urban vocabulary of forms. The dispersion of the big city´s lights carries over to the structure of time and space and ceases to conjure up an external danger. Instead, the viewer is confronted with sound and images which decompose the personal criteria employed in sensory perception.
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