Borrowing its title from a treatise by Aristotle, the latest film by Makino Takashi is an abstract work that finds its drive in the clash between light and darkness. Entirely composed of superimposed images of Tokyo’s landscape and water sites, the film takes its rhythm from the cycles of repetition that are the pillars of life and civilisation. As light emerges from the chaos, Jim O’Rourke’s ambient drone sets the tone for what is to come.
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Nossa Hospitalidade
O Diabo Disse Não
Holiday on the Buses
A Vingança de Cropsy
A Casa dos Mortos Vivos
Em Busca da Vitória
Cahill, o Xerife do Oeste
Vivah
Mutiny on the Buses
Cinzas do Passado
Hellraiser: Revelações
Re-Generator
Cosmos
Slice
Beyond the Gates
Thelma
Toilet: Ek Prem Katha
Marry Me at Christmas
Darlin'
Old Man JuniorBorrowing its title from a treatise by Aristotle, the latest film by Makino Takashi is an abstract work that finds its drive in the clash between light and darkness. Entirely composed of superimposed images of Tokyo’s landscape and water sites, the film takes its rhythm from the cycles of repetition that are the pillars of life and civilisation. As light emerges from the chaos, Jim O’Rourke’s ambient drone sets the tone for what is to come.
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