“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that materialize tenuously out of emptiness. But the darkness is not ‘night,’ or even simply some more abstract absence of light, but a more profound vacuum: it represents a world stripped of all the coordinates of the known, an unmeasurable absence. […] These lushly sensual, pleasurable-to-view films are also terrifying: their unpredictability, continually enacting new dramas of surprise, alternatively swamps the viewer in light and leaves him adrift in darkness.”
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Anjos e Demônios
Hulk vs. Wolverine
Beethoven 5
Feliz Natal Madagascar
Mickey e o Pé de Feijão
Detective Conan: Crossroad in the Ancient Capital
Thor: O Filho de Asgard
Playball
Detective Conan: The Eleventh Striker
Pânico na Floresta 5
Assustando Shrek
Mate: Caminhão Monstro
A Bruxa do Bem 5
The United Monster Talent Agency
Swap: A Troca
Forest
Shadow“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that materialize tenuously out of emptiness. But the darkness is not ‘night,’ or even simply some more abstract absence of light, but a more profound vacuum: it represents a world stripped of all the coordinates of the known, an unmeasurable absence. […] These lushly sensual, pleasurable-to-view films are also terrifying: their unpredictability, continually enacting new dramas of surprise, alternatively swamps the viewer in light and leaves him adrift in darkness.”
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