“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that materialize tenuously out of emptiness. But the darkness is not ‘night,’ or even simply some more abstract absence of light, but a more profound vacuum: it represents a world stripped of all the coordinates of the known, an unmeasurable absence. […] These lushly sensual, pleasurable-to-view films are also terrifying: their unpredictability, continually enacting new dramas of surprise, alternatively swamps the viewer in light and leaves him adrift in darkness.”
0.0/10
8.8/10
Faces
O Hotel dos Acusados
Q - A Serpente Alada
Sailor Moon Super S O Filme – O Buraco Negro dos Sonhos
R.O.T.O.R.
Q & A - Sem Lei, Sem Justiça
Raazi
The Ranger
LEGO DC Comics Super Heróis - Aquaman: A Fúria de Atlântida
Um Lobo em Pele de Cordeiro 2
Alvo Número Um
Assassinato no Expresso do Inferno
BTS World Tour Love Yourself In Seoul
O Golpe
Hunted - Quem Tem Medo do Lobo Mau?
Herói da Liberdade
Demon Slayer: Kimetsu no Yaiba Mt. Natagumo Arc
Barbie & Chelsea: O Aniversário Perdido
BTS: PERMISSION TO DANCE ON STAGE
Test“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that materialize tenuously out of emptiness. But the darkness is not ‘night,’ or even simply some more abstract absence of light, but a more profound vacuum: it represents a world stripped of all the coordinates of the known, an unmeasurable absence. […] These lushly sensual, pleasurable-to-view films are also terrifying: their unpredictability, continually enacting new dramas of surprise, alternatively swamps the viewer in light and leaves him adrift in darkness.”
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