"The film as a mirror and, as a further consequence, the phenomenon of identification primarily inherent in feature films, condense to a type of essence of film's potential. This film reports on cinema and the processes within it. In doing so, it doesn't reveal any secrets, but instead, attempts to transfer – in the sense of seeing what we see – what we do in the cinema and what also can be relevant outside of film into a visually stimulating and captivating event." (Siegfried A. Fruhauf)
0.0/10
7.4/10
Todo Mundo em Pânico 3
Brinquedo Assassino 2
Brinquedo Assassino 3
Cinderela III: Uma Volta no Tempo
Need for Speed: O Filme
Carros 3
Como Eu Era Antes de Você
Vizinhos 2
Animais Fantásticos: Os Segredos de Dumbledore
Cinquenta Tons Mais Escuros
Deadpool 2
Com Amor, Simon
Expendable Assets
After: Depois da Verdade
Para Todos os Garotos: Agora e Para Sempre
Mistério em Paris
After: Depois do Desencontro
Jackass 4.5
O Lado Escuro da Lua
Man"The film as a mirror and, as a further consequence, the phenomenon of identification primarily inherent in feature films, condense to a type of essence of film's potential. This film reports on cinema and the processes within it. In doing so, it doesn't reveal any secrets, but instead, attempts to transfer – in the sense of seeing what we see – what we do in the cinema and what also can be relevant outside of film into a visually stimulating and captivating event." (Siegfried A. Fruhauf)
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