Comedy shot without a script on Super-8mm as a silent film, with intertitles later inserted between scenes. What unfolds is a familiar Achternbusch tale in which the protagonist (here his alter-ego, Hick) is driven by a mad longing and becomes irretrievably lost. Unable to meet the demands of the workaday world, Hick wanders alone through the city and, as in many of Achternbusch's films, enters an intermediate realm in which the dead interact with the living: he encounters and falls in love with a mummy, searches for an Egyptian queen, and stalks the inner regions of the hereafter, which lie in the middle of Munich.
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6.3/10
A Liberdade é Azul
A Igualdade é Branca
O Gabinete do Dr. Caligari
Perdidos na Noite
Cinzas e Diamantes
Morte em Veneza
A Ilha
O Homem Invisível
Céu e Inferno
El Topo
American Movie
Um Dia Quente de Verão
O Segredo das Jóias
A Loja da Esquina
O Homem Errado
Não Livrai-Nos do Mal
Sob a Pele
Hotel Ustad
Eu, Daniel Blake
JohnComedy shot without a script on Super-8mm as a silent film, with intertitles later inserted between scenes. What unfolds is a familiar Achternbusch tale in which the protagonist (here his alter-ego, Hick) is driven by a mad longing and becomes irretrievably lost. Unable to meet the demands of the workaday world, Hick wanders alone through the city and, as in many of Achternbusch's films, enters an intermediate realm in which the dead interact with the living: he encounters and falls in love with a mummy, searches for an Egyptian queen, and stalks the inner regions of the hereafter, which lie in the middle of Munich.
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