“For many years I had wanted to visit the Rock, but I had never really had the means. A little funding from Germany finally got me there. I had read a lot about the history and mythology of the Rock and of the Aboriginal people, but I was only too aware that I, as a European, could never hope to get into or feel that mythology. So I decided to make a film about it from my perspective. I cut out all these mythological figures…lizards, emus, wallabies…some of them from drawings in caves on the Rock, and carefully employed them as mattes for footage I shot in real time. In those days hotels were very close to Ayers Rock [now known as Uluru], so I never had to go very far with my camera. I used filters and telephoto lenses to suggest a kind of unknowable aura…to show that there was truly something out there on that flat plain.” (Paul Winkler)
0.0/10“For many years I had wanted to visit the Rock, but I had never really had the means. A little funding from Germany finally got me there. I had read a lot about the history and mythology of the Rock and of the Aboriginal people, but I was only too aware that I, as a European, could never hope to get into or feel that mythology. So I decided to make a film about it from my perspective. I cut out all these mythological figures…lizards, emus, wallabies…some of them from drawings in caves on the Rock, and carefully employed them as mattes for footage I shot in real time. In those days hotels were very close to Ayers Rock [now known as Uluru], so I never had to go very far with my camera. I used filters and telephoto lenses to suggest a kind of unknowable aura…to show that there was truly something out there on that flat plain.” (Paul Winkler)
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