Jérôme wants to make a film that embodies our time and the sempiternal crisis of the present-day: so what better subject matter than chairs, the true symbol of all semi-logical reasoning, everyday tools that are easy to use, and the perfect incarnation of all productive processes?
Jérôme wants to make a film that embodies our time and the sempiternal crisis of the present-day: so what better subject matter than chairs, the true symbol of all semi-logical reasoning, everyday tools that are easy to use, and the perfect incarnation of all productive processes?
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