"FOREGROUNDS, like SAUGUS SERIES, is devoted almost entirely to carefully constructed spatial ambiguities. The most visceral of these prints a rotating boulder, occupying half of the screen, over a slow lateral pan across the desert (painted by Neon Park). A faint superimposition of leaves on top of the landscape has the effect of pushing its vista farther back in space. Correspondingly, the boulder bulges out of the picture-plane like a Cezanne apple. The effect is so strong that even when O'Neill begins to animate 'scratches' over the image, one's eye refuses to surrender the illusion of volume." - J. Hoberman, The Village Voice
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7.2/10
Corrida de Automóveis para Meninos
A Estrela
Gunpowder
A Lenda do Rei Macaco 3: Reino das Mulheres
Limbo
The Metamorphosis of Birds
Mr. Blake At Your Service!
Ameaça Mutante
The Hand of God: Through the Eyes of Sorrentino
O Último Judeu
Boléro
Sasquatch Sunset
Hood Witch
Fremont
Kingdom 3: A Chama do Destino
O Sucessor
It Happens in the Best of Families
Island in Between
Star"FOREGROUNDS, like SAUGUS SERIES, is devoted almost entirely to carefully constructed spatial ambiguities. The most visceral of these prints a rotating boulder, occupying half of the screen, over a slow lateral pan across the desert (painted by Neon Park). A faint superimposition of leaves on top of the landscape has the effect of pushing its vista farther back in space. Correspondingly, the boulder bulges out of the picture-plane like a Cezanne apple. The effect is so strong that even when O'Neill begins to animate 'scratches' over the image, one's eye refuses to surrender the illusion of volume." - J. Hoberman, The Village Voice
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