The best italian film of the 90's, the most extreme and radical work since SALO', a ruthless representation, in a surreal-metaphorical key, of a civilization condemned to worshipping its own blindness. The two sicilian directors use a language free from compromise and from the traditional storyline rules: the movie is photographed in a sharp and very contrasting black & white, with no beautiful pimp music, and lacks a logical story. There are no women (the ones we see are actually men), and the language is strict sicilian dialect. The directing style is characterized by long fixed shots on a post-atomic world, which is really present-day Palermo, inhabited by fat people in socks and underwear who burp and fart while roaming around smelly alleyways and waste dumps.
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7.1/10
Blade Runner: O Caçador de Andróides
Casablanca
O Ódio
Simplesmente Amor
Os Bons Companheiros
Psicopata Americano
Do Que as Mulheres Gostam
Lunar
Toto Who Lived Twice
The Return of Cagliostro
Garota Exemplar
A Possessão de Deborah Logan
Um Lugar Silencioso
Era Uma Vez em… Hollywood
Parasita
Enola Holmes
Retrato de uma Jovem em Chamas
Homem-Aranha: Sem Volta Para Casa
Liga da Justiça de Zack Snyder
OppenheimerThe best italian film of the 90's, the most extreme and radical work since SALO', a ruthless representation, in a surreal-metaphorical key, of a civilization condemned to worshipping its own blindness. The two sicilian directors use a language free from compromise and from the traditional storyline rules: the movie is photographed in a sharp and very contrasting black & white, with no beautiful pimp music, and lacks a logical story. There are no women (the ones we see are actually men), and the language is strict sicilian dialect. The directing style is characterized by long fixed shots on a post-atomic world, which is really present-day Palermo, inhabited by fat people in socks and underwear who burp and fart while roaming around smelly alleyways and waste dumps.
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