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“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that materialize tenuously out of emptiness. But the darkness is not ‘night,’ or even simply some more abstract absence of light, but a more profound vacuum: it represents a world stripped of all the coordinates of the known, an unmeasurable absence. […] These lushly sensual, pleasurable-to-view films are also terrifying: their unpredictability, continually enacting new dramas of surprise, alternatively swamps the viewer in light and leaves him adrift in darkness.”
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6.7/10
101 Reykjavik
Possuída 3: O Início
Loucos Pela Notícia
Temos Vagas 2: A Primeira Diária
À Espera do Mal
Meus Caros Amigos 3
Q - A Serpente Alada
Aeroporto 75
Um Longo Fim de Semana
A Noite dos Mortos Vivos: Re-Animação
Puella Magi Madoka Magica the Movie Part II: Eternal
Indovina chi viene a Natale?
Um Reencontro
Kaththi
Jackass Apresenta: Vovô Sem Vergonha .5“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that materialize tenuously out of emptiness. But the darkness is not ‘night,’ or even simply some more abstract absence of light, but a more profound vacuum: it represents a world stripped of all the coordinates of the known, an unmeasurable absence. […] These lushly sensual, pleasurable-to-view films are also terrifying: their unpredictability, continually enacting new dramas of surprise, alternatively swamps the viewer in light and leaves him adrift in darkness.”
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