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Schwartz’s work exists as a dialectic all its own, with a kind of wry fascination with things and a tinkerer’s yearning to take them apart and put them back together again. A Preface to Red exhibits this attitude, while at the same time displaying a rather unexpected level of formal aggression from the usually sedate Schwartz.
0.0/10Schwartz’s work exists as a dialectic all its own, with a kind of wry fascination with things and a tinkerer’s yearning to take them apart and put them back together again. A Preface to Red exhibits this attitude, while at the same time displaying a rather unexpected level of formal aggression from the usually sedate Schwartz.
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