Heinz Badewitz makes a film about himself. In fragmented takes, he depicts himself as a pensive funster, indulges in free association, then tells a love story that could just as well be freely invented as true. Like all love stories, it ends unhappily. Briefly inserted clapperboards bear the title ‘Screwings’.
Heinz Badewitz makes a film about himself. In fragmented takes, he depicts himself as a pensive funster, indulges in free association, then tells a love story that could just as well be freely invented as true. Like all love stories, it ends unhappily. Briefly inserted clapperboards bear the title ‘Screwings’.
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