The filmmaker returns to the subject of Picasso, who he had first filmed in a documentary short made in 1950,then using material from studio archives and shooting stock provided by Cinematheque curator Henri Langlois.
0.0/10The filmmaker returns to the subject of Picasso, who he had first filmed in a documentary short made in 1950,then using material from studio archives and shooting stock provided by Cinematheque curator Henri Langlois.
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