Adapted, in our day, from the Isidore Ducasse’s (called Lautréamont) book, Les Chants de Maldoror (The Maldodor's Chants). The film is a cinematic language essay which "tells", in a non-linear narrative, the activity of a consciousness that confronts, relentlessly, with its brightest part as the most obscure.
Adapted, in our day, from the Isidore Ducasse’s (called Lautréamont) book, Les Chants de Maldoror (The Maldodor's Chants). The film is a cinematic language essay which "tells", in a non-linear narrative, the activity of a consciousness that confronts, relentlessly, with its brightest part as the most obscure.
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