Kevin analyzes a video described as the “first feature film” produced by ISIS. Struck by the mainstream media’s fascination with the video as a movie, he explores possible cinematic connections: Nazi propaganda movies, Hollywood, and early leftist revolutionary filmmaking. Afraid of facing ISIS images directly, he adopts interruptive viewing techniques to bypass the video’s terrorist qualities and uncover insights into its contents.
0.0/10Kevin analyzes a video described as the “first feature film” produced by ISIS. Struck by the mainstream media’s fascination with the video as a movie, he explores possible cinematic connections: Nazi propaganda movies, Hollywood, and early leftist revolutionary filmmaking. Afraid of facing ISIS images directly, he adopts interruptive viewing techniques to bypass the video’s terrorist qualities and uncover insights into its contents.
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