In "Lossless No. 1," Baron and Goodwin attempt to visualize the difference between film and digital video by isolating a particularly powerful sequence of 48 frames from "The Wizard of Oz," scanned from a 35mm film print, but also extracted from a DVD release of the film. The artists then digitally subtracted the DVD frames from the scanned film frames, leaving an image that reveals the difference between the analog and digital formats. The result is 31 seconds of Dorothy's ruby slippers clicking together, over and over, the shoes, her legs, and her dress a shimmering beacon, an immortal moment of intense wishing.
0.0/10
Otto - The Disaster Movie
Edison And Leo
Bayside Shakedown 2
Avatar: Creating the World of Pandora
Harlots of the Caribbean
Liberation: Direction of the Main Blow
Captain NulleUltimate Driving Craft 3 - Eyes on main beam
Travelling Hawkers in Frankfurt am Main
Through Main Street with an Orchestra
Brent Weinbach: Appealing to the Mainstream
Next Exit, Main Street
Matrix
The Passenger
Backmatter (1)
OLIVIA RODRIGO: driving home 2 u (a SOUR film)
Surviving R. Kelly: The Impact
Bat
NULL
Solitary RoadIn "Lossless No. 1," Baron and Goodwin attempt to visualize the difference between film and digital video by isolating a particularly powerful sequence of 48 frames from "The Wizard of Oz," scanned from a 35mm film print, but also extracted from a DVD release of the film. The artists then digitally subtracted the DVD frames from the scanned film frames, leaving an image that reveals the difference between the analog and digital formats. The result is 31 seconds of Dorothy's ruby slippers clicking together, over and over, the shoes, her legs, and her dress a shimmering beacon, an immortal moment of intense wishing.
At the moment we don’t know of any streaming service where you can watch Lossless #1
