Taking as a starting point an artist's own paintings, long lost, and recasting what a work can be with interventions of digital post-cinematic processes, a minor piece of damage explores the space between the vanished place of referential origin and its re-presentation as a cinematic 'artefact'.
0.0/10Taking as a starting point an artist's own paintings, long lost, and recasting what a work can be with interventions of digital post-cinematic processes, a minor piece of damage explores the space between the vanished place of referential origin and its re-presentation as a cinematic 'artefact'.
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