One Year (1970) is a series of forty-nine rolls of 16mm film, nearly all of them unedited except in the camera, and all of them silent. The flares at the beginnings and ends of the rolls are not eliminated and, as a result, become a form of visual punctuation. The rolls are arranged so that, as title implies, we move gradually through an entire year, from winter to winter. The most interesting aspect of the overall organization, however, involves the fact that the first quarter of One Year (1970) is very different from the final three-quarters: this change reflects a fundamental alteration in Huot's approach to film.
One Year (1970) is a series of forty-nine rolls of 16mm film, nearly all of them unedited except in the camera, and all of them silent. The flares at the beginnings and ends of the rolls are not eliminated and, as a result, become a form of visual punctuation. The rolls are arranged so that, as title implies, we move gradually through an entire year, from winter to winter. The most interesting aspect of the overall organization, however, involves the fact that the first quarter of One Year (1970) is very different from the final three-quarters: this change reflects a fundamental alteration in Huot's approach to film.