In the early 1970s, Toronto filmmaker Keith Lock moved to Buck Lake, where members of the Toronto art scene were undertaking an experiment in communal living. Lock filmed the achievements and daily rituals of his fellow communards, his camera bearing witness as a community assembled and dispersed. The resulting film uses poetic strategies, including logograms and other graphic disruptions, to extend its themes of renewal and rebirth, and to mark the encounter between reason and imagination, the concrete and the abstract. A landmark work of Canadian underground cinema, a film diary with mystic and symbolic overtones.
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Atlantis: O Retorno de Milo
The Brothers Lionheart
Scooby-Doo! e a Espada do Samurai
Scooby-Doo! E o Monstro do México
O Retorno a Salem's Lot
Dragon Ball Z: O Poder Invencível
Eden of the East Movie II: Paradise Lost
O Susto de Shrek
Once Upon a Time: The Super Heroes
Scooby-Doo! Mistério na Lutamania
SlugTerra: Return of the Elementals
Scooby-Doo! and the Pirates
A Guarda do Leão: Um Novo Rugido
Harry Potter: Uma História da Magia
Scooby-Doo! e o Fantasma GourmetIn the early 1970s, Toronto filmmaker Keith Lock moved to Buck Lake, where members of the Toronto art scene were undertaking an experiment in communal living. Lock filmed the achievements and daily rituals of his fellow communards, his camera bearing witness as a community assembled and dispersed. The resulting film uses poetic strategies, including logograms and other graphic disruptions, to extend its themes of renewal and rebirth, and to mark the encounter between reason and imagination, the concrete and the abstract. A landmark work of Canadian underground cinema, a film diary with mystic and symbolic overtones.
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