Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the neo-liberal era. Rachel Maclean’s dark fairytale, which represented Scotland at the Venice Biennale 2017, depicts a brash and baroque binary world of poverty and riches where the prospect of easy wealth tempts even good boys like Pic into bad ways. But if everyone believes the lie, what’s the problem?
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7.5/10
Love on the Run
Andrei Rublev
Paths of Glory
Shoot the Piano Player
The Sea Inside
Jamon Jamon
Stardust Memories
Invasion of the Body Snatchers
Joe: The Busybody
Death of a Salesman
Hour of the Wolf
Shadows and Fog
Old Joy
The Magician
Kill List
Complexes
Eating Out: The Open Weekend
The Last One of the Six
Outrage CodaSimultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the neo-liberal era. Rachel Maclean’s dark fairytale, which represented Scotland at the Venice Biennale 2017, depicts a brash and baroque binary world of poverty and riches where the prospect of easy wealth tempts even good boys like Pic into bad ways. But if everyone believes the lie, what’s the problem?
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