Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.
0.0/10
6.3/10
Ultravox - Return To Eden - Live At The Roundhouse
The Return
Road
De Volta a Ilha da Imaginação
SlugTerra: Return of the Elementals
The Auntie from Chicago
Qwerty
Teddy Pendergrass: If You Don't Know Me
Cherrie - ut ur mörkret
King of the Hill: A 70th Anniversary Retrospective of Cincinnati’s King Records
Test
John
They
Fada do Dente 2: A Raíz do Mal
FILM
Projota - AMADMOL (A Milenar Arte de Meter o Louco)
123 HugsHello...?film
BarkIrina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.
No momento, não sabemos de nenhum serviço de streaming onde você possa assistir The Horse, the Violin and a Little Bit Nervous
