Working with Virgil’s four-part poem “Georgics” and Antonio Vivaldi’s concertos “The Four Seasons” as models, Gottheim arranged his painterly compositions into four distinct sections, each edited according to its own exacting pattern. The seasonal flux thus informs both the form and content of the image, with the basic elements of trees, sky, hills and the occasional crisscrossing clothesline filmed in every imaginable light.
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Jethro Tull: Living With The Past
Dreyfus Meets His Wife at Rennes
The Oubliette
Arabesque for Kenneth Anger
Mouches Volantes
One Swedish Summer
Joyful Mystery
A Man from Wyoming
Saxon: Warriors of the Road – The Saxon Chronicles Part II
Jurus Dewa Naga
Death on a Rainy Day
Return
Dvořák: From the New World
The Green Hornet and Kato
Dans le piège de la dette
On the Streets of Brazil
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All About Melly
Disciples in the MoonlightWorking with Virgil’s four-part poem “Georgics” and Antonio Vivaldi’s concertos “The Four Seasons” as models, Gottheim arranged his painterly compositions into four distinct sections, each edited according to its own exacting pattern. The seasonal flux thus informs both the form and content of the image, with the basic elements of trees, sky, hills and the occasional crisscrossing clothesline filmed in every imaginable light.
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