I evoke a dancing woman. A woman? No. A bouncing line with harmonious rhythm. I evoke a luminous projection on veils ! Precise matter! No. Fluid rhythms. Why should one disregard, on screen, the pleasure that movement brings us in the theatre? Harmony of lines. Harmony of light. Lines, surfaces, volumes evolving directly, without the artifice of evocation, in the logic of its forms, dispossessed of any overly human sense, allowing an elevation towards the abstract, thus giving more space to sensations and to dreams : integral cinema. —Germaine Dulac
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6.9/10
Sissi: The Young Empress
The Land Before Time VI: The Secret of Saurus Rock
The Land Before Time XIII: The Wisdom of Friends
Nekromantik 2
Jennifer Lopez: Let's Get Loud
Ewa Wants to Sleep
Nullarbor
Dear Dracula
Scooby-Doo! Mask of the Blue Falcon
Captain Nulle
Scooby-Doo! Ghastly Goals
Scooby-Doo! and the Beach Beastie
Don't Hug Me I'm Scared 5
Terror Nullius
Next Exit, Main Street
Nulliparous Women
GCW: Fight Club Houston
Forest
Q
NULLI evoke a dancing woman. A woman? No. A bouncing line with harmonious rhythm. I evoke a luminous projection on veils ! Precise matter! No. Fluid rhythms. Why should one disregard, on screen, the pleasure that movement brings us in the theatre? Harmony of lines. Harmony of light. Lines, surfaces, volumes evolving directly, without the artifice of evocation, in the logic of its forms, dispossessed of any overly human sense, allowing an elevation towards the abstract, thus giving more space to sensations and to dreams : integral cinema. —Germaine Dulac
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