“Don’t end up alone like I did.” This plea expressed by her grandmother before passing, haunts Tatiana, a single, 40-year-old documentary filmmaker. Filled with questions about what it means to “not end up alone,” Tatiana explores her grandma Teresa’s life: an imposing woman who owned an iconic movie theater, divorced three times and challenged the Dominican social norms of her era. The filmmaker embarks on a journey through family archives, old films and hundreds of letters, constructing —or trying to deconstruct— a story about love, expectations and solitude.
0.0/10“Don’t end up alone like I did.” This plea expressed by her grandmother before passing, haunts Tatiana, a single, 40-year-old documentary filmmaker. Filled with questions about what it means to “not end up alone,” Tatiana explores her grandma Teresa’s life: an imposing woman who owned an iconic movie theater, divorced three times and challenged the Dominican social norms of her era. The filmmaker embarks on a journey through family archives, old films and hundreds of letters, constructing —or trying to deconstruct— a story about love, expectations and solitude.
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