Juxtaposing real-world interviews with corps officers, footage of bureaucratic procedures, and historical narratives of local environmental infrastructure projects with staged civic action and musical performances, Schmidt–Arenales’s film untangles the irony at the heart of the Ike Dike project: the industries it is designed to protect are the very industries driving the escalation of superstorms in Texas and around the globe. And the communities and ecosystems that are most threatened by rising sea levels and storms will continue to bear the brunt of the Ike Dike’s costly shortcomings. IT IS A GOOD PROJECT AND SHOULD BE BUILT offers perspectives on intervening in purposefully opaque bureaucratic procedures and demonstrates the importance of questioning seemingly innocuous administrative performances through imaginative and collaborative methods. --Max Fields
0.0/10Juxtaposing real-world interviews with corps officers, footage of bureaucratic procedures, and historical narratives of local environmental infrastructure projects with staged civic action and musical performances, Schmidt–Arenales’s film untangles the irony at the heart of the Ike Dike project: the industries it is designed to protect are the very industries driving the escalation of superstorms in Texas and around the globe. And the communities and ecosystems that are most threatened by rising sea levels and storms will continue to bear the brunt of the Ike Dike’s costly shortcomings. IT IS A GOOD PROJECT AND SHOULD BE BUILT offers perspectives on intervening in purposefully opaque bureaucratic procedures and demonstrates the importance of questioning seemingly innocuous administrative performances through imaginative and collaborative methods. --Max Fields
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