In Yunnan, at the end of the Qing dynasty, Auguste François (1857-1935), a consul, photographer and amateur ethnographer, documents with a camera provided by Léon Gaumont scenes of daily life in the streets of Yunnanfu (now Kunming), but also more exceptional events such as a dragon dance or Chinese theatre performance (in which all female roles are played by men). The Cinémathèque française and the CNC present a short selection of this ongoing safeguarding work. Rue du Faubourg du Sud à Yun-Nan-Sen (n. 1203) Retour à Yun-Nan-Sen du Général en chef Licou (n. 1285) Le Barbier dans la rue (n. 1242) La Chasse aux poux (n. 1235) Le Jeu du dragon (n. 1236) Fumeurs d’opium (n. 1224) Repas chinois (n. 1225) Danseuse (n. 1260)
In Yunnan, at the end of the Qing dynasty, Auguste François (1857-1935), a consul, photographer and amateur ethnographer, documents with a camera provided by Léon Gaumont scenes of daily life in the streets of Yunnanfu (now Kunming), but also more exceptional events such as a dragon dance or Chinese theatre performance (in which all female roles are played by men). The Cinémathèque française and the CNC present a short selection of this ongoing safeguarding work. Rue du Faubourg du Sud à Yun-Nan-Sen (n. 1203) Retour à Yun-Nan-Sen du Général en chef Licou (n. 1285) Le Barbier dans la rue (n. 1242) La Chasse aux poux (n. 1235) Le Jeu du dragon (n. 1236) Fumeurs d’opium (n. 1224) Repas chinois (n. 1225) Danseuse (n. 1260)
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