"This two-screen dual projector film extends Brown's use of chemically tortured celluloid to the breaking point. A collaboration with his long-time sound colleague John Kamevaar, 'Fine Pain' is an extended dialogue between image and sound - like a prolonged riff of free jazz between two masters. The discordant tensions of this film will keep you on the very edge of your seat, astonish you with the mesmerizing range of colour and abstraction and the over-modulated sound vibrations." (Pleasure Dome program notes, Toronto, March 2000)
0.0/10"This two-screen dual projector film extends Brown's use of chemically tortured celluloid to the breaking point. A collaboration with his long-time sound colleague John Kamevaar, 'Fine Pain' is an extended dialogue between image and sound - like a prolonged riff of free jazz between two masters. The discordant tensions of this film will keep you on the very edge of your seat, astonish you with the mesmerizing range of colour and abstraction and the over-modulated sound vibrations." (Pleasure Dome program notes, Toronto, March 2000)
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