An early declaration of war on narrative cinema, using a barrage of visual and acoustic elements while at the same time juggling ironically - as he still does - with the term 'avant-garde'. A number of other preferences and obsessions were evident at an early stage, e.g. the mind-numbing habit of having his people stumbling and screaming around: life as a race track. His films likewise feature a lot of theatrical and cryptic outpourings. No wonder that they failed at the box office. No wonder either, however, that Schlingensief was attracted to theatre.
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Midnight Movies: From the Margin to the Mainstream
Maine Gandhi Ko Nahin Mara
Divers at Work on the Wreck of the "Maine"
Main Street
Main Krishna Hoon
The Mill on the Po
Kai from the Box
Ultimate Driving Craft 3 - Eyes on main beam
Divorce French Style
Heartstrings
I Am Not Your Negro
I Got Life!
Memoir of War
Demi Lovato: Simply Complicated
Angel Face
Ali Wong: Hard Knock Wife
O Homem Perfeito
I'm Not a Killer
Object: Alimony
Bird Thongchai Concert #1/1988 Kaolao ThongChai (Mai-Ngok)An early declaration of war on narrative cinema, using a barrage of visual and acoustic elements while at the same time juggling ironically - as he still does - with the term 'avant-garde'. A number of other preferences and obsessions were evident at an early stage, e.g. the mind-numbing habit of having his people stumbling and screaming around: life as a race track. His films likewise feature a lot of theatrical and cryptic outpourings. No wonder that they failed at the box office. No wonder either, however, that Schlingensief was attracted to theatre.
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